Music Weblog

June 16, 2010

The Avett Brothers “I and Love and You” 2010

Filed under: Album Review,Next Big Thing — abdulmajid @ 7:07 pm

Avett_Brothers_Cover_Art-705284.jpg

I adore music of almost any sort.  I used to say that there were only two sorts of music that I could not enjoy country and western (10 points to those of you who spotted a vague Blues Brothers reference in that joke).  The situation changed when Elvis Costello went to Nashville in 1982 and produced “Almost Blue”, his album of covers of classic and not so classic country songs.  I was hooked by the lead single “Good Year for the Roses” and it is still a favourite now.  When the album came out I naturally gravitated to the well known tracks like “Sweet Dreams” but one track grabbed me by the heart and has never let go, “Hot Burrito #1″ or as Costello calls it “I’m Your Toy”, which turned out to be a Gram Parsons track.

 

This led me to Gram Parsons and Costello also sent me off to look out Hank Williams Snr.  Gram Parsons, it turned out was already part of my collection as he was on my favourite Rolling Stones LP “Let it Bleed” (as a side note you only need five Stones albums, “Let it Bleed”, “Beggars Banquet”, “Sticky Fingers”, “Exile on Main Street” and “Forty Licks”.  the latter would be greatly improved if it had the full version of tracks on it rather than cutting so many great songs short.  Anyway).  I have a soft spot for the very melancholy country songs but find over produced country very hard to stomach.  I wandered down the bluegrass route and took great joy in finding the albums by Jerry Garcia, already being a fan of his guitar playing with the Grateful Dead.

 

Eventually this led to the Avett Brothers album “Country Was”.  A simple country album packed with good songs and full of promises to come.  Their latest album “I and You and Love” is their major label debut and was issued via Columbia Records and American Recordings.  it was produced by Rick Rubin, who surely can be spoken of in the same breath as the greatest producers in the history of modern music George Martin, Brian Eno and Phil Spector (as a producer not as a person at which he sucked donkey balls as Cartman would say).

 

The album starts with the title track and after 13 tracks of ballads, rock songs and bluegrass ends with “Incomplete and Insincere” two things this album is most certainly not.  My personal favourites include the distinctly country “Laundry Service” (dig that violin solo folks), the very rocky “Kick Drum Heart”, the title track and the very country “January Wedding” the latter could surely count both Gram Parsons and Hank WIlliams as close relatives.

 

I am not alone in this love of the album and it will surely not be long before the Brothers are not a secret of those ahead of the curve but a staple fo the festival circuit and are being mentioned by Bono et al.

July 21, 2009

Neil Young “Archives Vol.1 1963-1972″

Filed under: Album Review — abdulmajid @ 7:38 pm
Tags: , , ,

This is not so much a new blog as a note to say I have finally got my hands on the Blu-Ray version of the Neil Young Archives box set and I am therefore working on a major blog about that release.

This is
a) a head’s up to say that is coming,
b) a note to say get your hands on this if you can as the sound quality is breathtaking (my B&W speakers were designed for this I am sure) and
c) if you can get hold of the version of “Words” from the “Journey Through the Past” soundtrack (it runs to just over 15 minutes) do so, it is exquisite.

I am going back to it now, see you in 10 discs time!

February 2, 2008

Fennesz Sakamoto “cendre” 2007 – Debussy in a thunderstorm

Filed under: Album Review — abdulmajid @ 4:07 pm

A collaboration between Christian Fennesz and Ryuichi Sakamoto makes very good sense on paper and thankfully it works on CD too. The former is one of the leading “Glitch” artists producing exquisitely beautiful laptop music (just to throw in two tags that either tell you exactly what to expect or leave you utterly clueless), in his case using a standard electric guitar in the main as the base ingredient. The latter is the classically trained pianist, former leader of the Japanese Beatles (or Kraftwerk depending on whether you are talking about sales or style) the Yellow Magic Orchestra, Oscar winning soundtrack composer, World music guru oh and a bit of acting too. (more…)

David Sylvian “When Loud Weather Buffeted Naoshima” 2007

Filed under: Album Review — abdulmajid @ 3:09 pm

This is not new territory for Mr Sylvian, the “Ember Glance” box set from 1991 was also born out of a multi-media installation. This one, as the name implies was written for an exhibition on the Japanese island of Naoshima and features not just Mr Sylvian but also the wonderful glitch artist Fennesz, Akira Rabelais (Whose last album was released on Sylvian’s Samadhi Sound label) Clive Bell (who has worked with such artists as Bill Laswell, Jah Wobble and Jeff Beck) and Arve Henriksen (Norwegian trumpeter). It is in the same style as “Approaching Silence” and “Ember Glance” itself, a very long piece of atmospheric sounds (waves, wind chimes, etc.) mixed with ghostly vocals, atonal instrumental music all blended together to create the sonic impression of loud weather buffeting Naoshima. (more…)

David Hill and the Choir of Winchester Cathedral “Lux Aeterna” 1998

Filed under: Album Review — abdulmajid @ 3:00 pm

An album I constantly return to as it gently soothes the cares of the working day away. I am not a fan of compilations, let alone classical compilations as they never seem to hang together. Yet here is the exception that proves the rule, modern composers rub shoulders with Mozart and Tallis but there is no jarring change in mood. A great deal of that success is down to David Hill and the Choir of Winchester Cathedral. Simply put an album that repays your investment; both time and money. Do yourself a favour and find a copy of this deleted CD wherever you can.

Originally posted July 11, 2005

Fennesz “Venice” 2004

Filed under: Album Review — abdulmajid @ 2:52 pm

The Master of Glitch Music
The electricity in a storm
Lightning across the bay
Crackling, the hairs on your arm stand up
The pressure making your eardrums bend and flex
Swirling, fizzing, popping, exploding
Water dropping, plopping, spreading
The calm at the heart of the maelstrom
David Sylvian
Tranquil, persuasive, emollient
Treated guitars eddy in the air
Laptop music for the electronic age
Glitch music for the melodious
New music for the adventurous
Resonant, humming, electric

Links:

Fennesz

David Sylvian

Touch Records

Originally posted March 16, 2004

Franz Ferdinand “Franz Ferdinand” 2004

Filed under: Album Review — abdulmajid @ 2:43 pm

The latest, greatest new thing. How soon they fade. Suede were all over the music press just over a decade ago and now they have split after a couple of really lacklustre albums. On the other hand 10 years in the music business is about 9 1/2 years longer than most bands manage. How will FF fare? (more…)

January 29, 2008

Nick Drake “Five Leaves Left” 1969

Filed under: Album Review — abdulmajid @ 9:58 pm
Tags: , , , , ,

Nick Drake was the only artist to rise from almost complete obscurity to world renown posthumously until Eva Cassidy's music started to sell in the late 90s. Indeed in 2000 he was named in the Top 10 most influential artists of all time (BBC News Online ). Drake was one of a clutch of English singer-songwriters to emerge in the late 60s and his three albums all won critical acclaim in his lifetime but they all failed to gain commercial success, a fact that was one of the contributing factors to his, sometime, crippling depression. (more...)

January 28, 2008

The King in his Second Home (Elvis Presley “Live in Las Vegas” (2001) 4CD box-set)

Filed under: Album Review — abdulmajid @ 8:47 pm

Elvis Presley “Live in Las Vegas” (2001) 4CD box-setThis is a box-set that many Elvis fans have been compiling and burning anyway but RCA have done it with the aid of unrealesed versions and remastered tapes. For many the Vegas years were the end of Elvis but I feel that he matured wonderfully and the gauche young man found on some of these tracks from the 50s becomes the supreme vocalist of the late 60s and early 70s, before it all ended in tears. (more…)

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